Instancing has many handy uses. At a glance, with instancing you have:
- The ability to subdivide scenes and make them easier to manage.
- A tool to manage and edit multiple node instances at once.
- A way to organize and embed complex game flows or even UIs (in Godot, UI Elements are nodes, too).
But the greatest strength that comes with instancing scenes is that it works as an excellent design language. This is pretty much what distinguishes Godot from all the other engines out there. Godot was designed from the ground up around this concept.
When making games with Godot, the recommended approach is to dismiss most common design patterns, such as MVC or Entity-Relationship diagrams, and instead think about your scenes in a more natural way. Start by imagining the visible elements in your game, the ones that can be named not just by a programmer, but by anyone.
For example, here’s how a simple shooter game could be imagined:
You can come up with a diagram like this for almost any kind of game. Write down the parts of the game that you can visualize, and then add arrows to represent ownership of one component by another.
Once you have a diagram like this, the recommended process for making a game is to create a scene for each element listed in the diagram. You’ll use instancing (either by code or directly in the editor) for the ownership relationships.
A lot of time spent in programming games (or software in general) is on designing an architecture and fitting game components to that architecture. Designing based on scenes replaces that approach and makes development much faster and more straightforward, allowing you to concentrate on the game logic itself. Because most game components map directly to a scene, using a design based on scene instantiation means little other architectural code is needed.
Let’s take a look at one more, somewhat more complex, example of an open-world type game with lots of assets and nested elements:
Take a look at the room element. Let’s say we started there. We could make a couple of different room scenes, with different arrangements of furniture (also scenes) in them. Later, we could make a house scene, connecting rooms to make up its interior.
Then, we could make a citadel scene, which is made out of many instanced houses. Then, we could start working on the world map terrain, adding the citadel onto it.
Later, we could create scenes that represent guards (and other NPCs) and add them to the citadel as well. As a result, they would be indirectly added to the overall game world.
With Godot, it’s easy to iterate on your game like this, as all you need to do is create and instance more scenes. Furthermore, the editor UI is designed to be user friendly for programmers and non-programmers alike. A typical team development process can involve 2D or 3D artists, level designers, game designers, and animators, all working with the editor interface.
This has been a lot of high level information dropped on you all at once. However, the important part of this tutorial was to create an awareness of how scenes and instancing are used in real projects.
Everything discussed here will become second nature to you once you start making games and putting these concepts into practice. For now, don’t worry about it too much, and go on to the next tutorial!